The Walters Art Museum seeks proposals for a digital interactive that will provide the primary source of interpretation for the refurbished and reinstalled One West Mount Vernon Place, one of the five historic buildings that make up the museum’s campus.
This Request for Proposals outlines what the Walters hopes to achieve. It sketches some conceptual ideas for realizing the goals of this project and it invites creative responses that engage the museum’s core principles of enjoyment, discovery, and learning. The museum values excellence, teamwork, and collaboration. As such, we seek a creative partnership to complete this project. The primary goal is to create a user-friendly digital experience that enhances the visitor experience of the One West Mount Vernon Place building and its contents.
ABOUT THE WALTERS ART MUSEUM
The Walters Art Museum in Baltimore, Maryland is internationally renowned for its collection of art, which was amassed substantially by two men, William and Henry Walters, and eventually bequeathed to the City of Baltimore. The Walters Art Museum is one of only a few museums in the world to present a panorama of art from the third millennium B.C. to the early 20th century. Today, the collection has grown to more than 33,000 objects.
The Walters Art Museum joins organizations worldwide in celebrating Slow Art Day on Saturday April 11, 2015.
Slow Art Day started in 2008 as an experiment in changing the way we view art in a museum environment. Below is a list of 5 works, selected by members of the Baltimore arts community, for you to view for 5 – 10 minutes. At 1 p.m., stop by the Café for a discussion about the experience with other participants.
The Walters Art Museum recently purchased at auction a painting by Henry Ossawa Tanner (1859-1937), an African American artist whose reputation has been reassessed with the major exhibition currently touring the United States: Henry Ossawa Tanner: Modern Spirit, organized by the Pennsylvania Academy of the Fine Arts. The Walters already owns one work by Tanner: a bust of his father, Benjamin Tucker Tanner, purchased though the generosity of Eddie and Sylvia Brown. This work is featured in the exhibition currently touring. Tanner is regarded as one of the most distinguished American painters. He received his training at the Pennsylvania Academy of Fine Arts in Philadelphia under Thomas Eakins and at the Académie Julian in Paris. After 1895, he lived in Paris and painted religious works inspired by his travels in the Holy Land. The painting just purchased, Lion Drinking, dates from ca.1897 and is probably set in Palestine. It appears closely related to another painting of several lions from around the same date:Lions in the Desert (1897-98) in the Smithsonian Institute, Washington DC. Lion Drinking complements the Walters’ holdings of nineteenth-century art remarkably well as, like the Smithsonian’s painting, the work bares a strong compositional resemblance to a work by Jean-Léon Gérôme, an artist well represented in at the Walters. The new painting will undergo treatment by conservators and get a new frame before being hung in the fourth floor galleries.
How do you read a two-thousand-year-old manuscript that has been erased, cut up, written on and painted over? With a powerful particle accelerator, of course!
How do you read a two-thousand-year-old manuscript that has been erased, cut up, written on and painted over? With a powerful particle accelerator, of course! Ancient books curator William Noel tells the fascinating story behind the Archimedes palimpsest, a Byzantine prayer book containing previously-unknown original writings from ancient Greek mathematician Archimedes and others.