The Walters Art Museum is soliciting proposals for enhancements to its primary website (thewalters.org). A new design for the website should align with current best practices for online accessibility and usability. The site’s content items and core functionalities need revision as well. In particular, we seek a mobile-responsive design.
The Walters has two other websites – the online collection and the digitized manuscripts. The new thewalters.org design should not seek to mimic either of these websites and should surpass the quality of their design, while at the same time preserving the Walters brand identity.
The Walters Art Museum joins organizations worldwide in celebrating Slow Art Day on Saturday April 11, 2015.
Slow Art Day started in 2008 as an experiment in changing the way we view art in a museum environment. Below is a list of 5 works, selected by members of the Baltimore arts community, for you to view for 5 – 10 minutes. At 1 p.m., stop by the Café for a discussion about the experience with other participants.
The Walters Art Museum recently purchased at auction a painting by Henry Ossawa Tanner (1859-1937), an African American artist whose reputation has been reassessed with the major exhibition currently touring the United States: Henry Ossawa Tanner: Modern Spirit, organized by the Pennsylvania Academy of the Fine Arts. The Walters already owns one work by Tanner: a bust of his father, Benjamin Tucker Tanner, purchased though the generosity of Eddie and Sylvia Brown. This work is featured in the exhibition currently touring. Tanner is regarded as one of the most distinguished American painters. He received his training at the Pennsylvania Academy of Fine Arts in Philadelphia under Thomas Eakins and at the Académie Julian in Paris. After 1895, he lived in Paris and painted religious works inspired by his travels in the Holy Land. The painting just purchased, Lion Drinking, dates from ca.1897 and is probably set in Palestine. It appears closely related to another painting of several lions from around the same date:Lions in the Desert (1897-98) in the Smithsonian Institute, Washington DC. Lion Drinking complements the Walters’ holdings of nineteenth-century art remarkably well as, like the Smithsonian’s painting, the work bares a strong compositional resemblance to a work by Jean-Léon Gérôme, an artist well represented in at the Walters. The new painting will undergo treatment by conservators and get a new frame before being hung in the fourth floor galleries.
How do you read a two-thousand-year-old manuscript that has been erased, cut up, written on and painted over? With a powerful particle accelerator, of course!
How do you read a two-thousand-year-old manuscript that has been erased, cut up, written on and painted over? With a powerful particle accelerator, of course! Ancient books curator William Noel tells the fascinating story behind the Archimedes palimpsest, a Byzantine prayer book containing previously-unknown original writings from ancient Greek mathematician Archimedes and others.